E.L. Kirchner, Acrobatic Dance. NGA, open access

Over the past three weeks, WNYC has been running a series called Making It in NYC. It’s about how artists manage to cobble together a living while creating art in New York City, and how the rest of us who live here manage to pay what it costs to experience the art they create. Or don’t manage to, in either case. It’s an age-old problem, not unique to New York, but particularly acute here and now. “New York has closed itself off to the young and the struggling, …. the poor and creative” says Patti Smith at a 2010 event exerpted in in the series. Her advice: “find a new city.”

Does anyone think it’s good for New York, or even reasonably tolerable, that artists can’t afford to live and work here, and residents can’t afford tickets to a concert or a play? The first piece in the WNYC series is an interview with Ford Foundation President, Darren Walker, whose role in the piece, in large part, is to explain why having art and artists around really matters. It’s a fine question to open the series, and Walker answers it capably. In particular, I appreciated his point (beginning around 12:00) that the social value of art can’t be reduced to its measurable economic impact. My feeling, though, is that, in some basic way, most of us already understand that we would be lost without our artists. It’s not as if we planned to run them all out of town.

All we did was get richer and richer as a society, without deciding what all our riches are for. Instead of deciding, we’ve inadvertently used our wealth to maim our culture. In this case we’ve done it through competition that has driven prices—for housing and studio space, for tickets and entrance fees—impossibly high. It’s not too late, though, to decide what’s important and act accordingly.

Specific, feasible remedies abound. We could give artists a tax break on real estate rentals up to a certain level. (I happen to be on the board of an arts organization housed at Artspace’s PS109, which is discussed in another piece in the WNYC series. Artspace provides subsidized housing for artists. When it was preparing to open PS109, it received 53,000 applications for 89 apartments.) We could give tax breaks on income earned as an artist up to a certain income level. We could make the price of tickets to performances or exhibitions tax deductible. Just to name a few. Off the top of my head. None of these tax breaks would require us to increase taxes in general or borrow money, because we could compensate by raising taxes on things that are harmful. Peruse the blog for ideas on that, or think up some of your own.

What we don’t know yet is which remedies we should apply, and how aggressively. Darren Walker is right that econometrics can’t tell us the value of the arts. But in that case, what can? How do we know what the arts are worth compared to everything else? In a democracy, the only answer is that they’re worth what we decide they’re worth, when we decide together. We’re working to make that decision possible at Democratism.

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source & rights: bit.ly/1pN5mjR (modified), bit.ly/1WOXwAj (modified)

This hideous U.S. election season could lead a person to doubt our capacity for self-government. A new poll on energy policy is thus a welcome reminder that we’re often better on policy preferences than on electing officials. Seventy-three percent of Americans, Gallup says, favor emphasizing alternatives to oil and gas production in addressing our energy problems. That number includes majorities of both major parties—89% of Democrats and 51% of Republicans.

Unfortunately, while we favor emphasizing alternative energy, we often elect politicians who don’t. There’s no getting around this kind of discrepancy in electoral politics. We have views on issues, but we choose politicians more for their imagined personality traits. And when we do choose someone based on issues, it’s never more than a few issues that control the outcome of an election. Politicians don’t tend to care about our views on the others issues, or at least not as much as they care about the views of the moneyed interests that donate to their campaigns.

The democratist solution is to take resource allocation questions like this—questions that, as Gallup framed it, are about emphasis—out of electoral politics. Here’s a democratist proposal for this one: Let Congress set up an online voting system, open all the time to everyone with the right to vote, that would modify tax rates on various types of energy production. That is, you could vote to increase or decrease taxes on oil, gas, coal, solar, wind, etc., and then every three months, the rate would shift up or down a small amount, based on how we voted during the quarter.

A tax increase on gas or oil production or a tax decrease on alternative energy would shift investment from the former to the latter, reducing carbon gas emissions in the same way that cap-and-trade or a static carbon tax would. The difference is that a system like this would allow the people to decide how much to emphasize what, and keep adjusting it until it hit the desired level.

You might object that ordinary people aren’t experts in this, but that objection dissolves when you consider how the decision is made now and compare it to the polls. And it’s also a safe bet that the self-selecting group that would actually participate would be better informed than average.

Admittedly, there’s a big electoral-politics hurdle to getting a system like this through Congress. I have plenty to say about that, but it’s another post.

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